Masaki Kobayashi Harakiri (1962): Moral Conundrum and Ethical Hypocrisy
In this article, Faiz reflects on how Masaki Kobayashi, a lifelong pacifist, visualizes a concept of Bushido in one of
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Harakiri
Jakarta Cinema Club
Jurnal, Berita dan Komunitas Berbasis Film & Platform Seni Pilihan di Indonesia