Editorial

Costa-Gavras has spent decades turning political reality into cinema that feels urgent and accessible. His films place power, injustice, and

From the East is one of Chantal Akerman’s quietest works, yet it carries an immense sense of history. Filmed across Eastern

Louis Malle’s Au Revoir les enfants remains a film about memory and responsibility. Its quiet approach allows history to speak through daily life, making its message feel close rather than distant.

A reflection on La Haine by Mathieu Kassovitz, its political urgency, lasting relevance, and its recent full house screening by Jakarta Cinema Club and IFI.