Masaki Kobayashi Harakiri (1962): Moral Conundrum and Ethical Hypocrisy
In this article, Faiz reflects on how Masaki Kobayashi, a lifelong pacifist, visualizes a concept of Bushido in one of
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Penulis: jakartacinemaclub
Album Minggu Ini Vol. 17: Rumah
Album Minggu Ini 17 kali ini cukup spesial karena berisikan respon dari kemunculan mini album dari salah satu tim editorial
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Meiko Kaji: Manis seperti Dendam
Dalam artikel editorial kali ini, kita akan berkenalan dengan sosok legendaris dari perfilman Jepang, Meiko Kaji. Sepanjang karirnya, Meiko Kaji
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Between Two Jokers and Philosophy: A Realization of the Absurd, Nihilism and Agent of Chaos
In this article, Olav reflects on how representations of Jokers and Philosophy in films could lead us to ideas that
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Bukunema from Home: On Cosmos & Popular Science
Bukunema is back! During this WFH season, we are going to host this program virtually. Since no movies will be
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On François Truffaut’s Jules and Jim: A Bizarre Love Triangle
This is a reflection on François Truffaut’s Jules and Jim, a French New Wave drama released back in 1962. Frankly,
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A Queer Quarantine: Reimagining the New Normal through Queer Cinema
Rizky Rahad reflects on some of the most provocative queer films he revisited during quarantine, reimagining the endless possibilities of a new world.
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Edmund Yeo We the Dead: Rohingya dan Fantasi Pasca Kehidupan
We the Dead adalah film karya sutradara Malaysia Edmund Yeo yang bermain dengan topik bayangan setelah kematian melalui kasus Rohingya.
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On Zhang Yimou’s Shadow: A Return to Form
Zhang Yimou Shadow comes with black ink drips from a brush drawing a piece of calligraphy; water bounces up and
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Album Minggu Ini Vol. 16: Ambisi dan Duo Kribo
Album Minggu Ini 16 adalah memori masa indah saat saya menonton film Ambisi (1973) dan film Duo Kribo (1977). Dari
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