Masaki Kobayashi Harakiri (1962): Moral Conundrum and Ethical Hypocrisy
In this article, Faiz reflects on how Masaki Kobayashi, a lifelong pacifist, visualizes a concept of Bushido in one of
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Editorial
Meiko Kaji: Manis seperti Dendam
Dalam artikel editorial kali ini, kita akan berkenalan dengan sosok legendaris dari perfilman Jepang, Meiko Kaji. Sepanjang karirnya, Meiko Kaji
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Between Two Jokers and Philosophy: A Realization of the Absurd, Nihilism and Agent of Chaos
In this article, Olav reflects on how representations of Jokers and Philosophy in films could lead us to ideas that
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A Queer Quarantine: Reimagining the New Normal through Queer Cinema
Rizky Rahad reflects on some of the most provocative queer films he revisited during quarantine, reimagining the endless possibilities of a new world.
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Edmund Yeo’s We the Dead: Rohingya and the Fantasy of the Afterlife
A reflection on Edmund Yeo’s We the Dead, exploring Rohingya refugees, life after death, and the film’s haunting realism rooted in contemporary history.
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On Zhang Yimou’s Shadow: A Return to Form
Zhang Yimou Shadow comes with black ink drips from a brush drawing a piece of calligraphy; water bounces up and
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Reflection on Liu Jiayin’s Oxhide II
Art cannot be consumed as it is. Context plays an important role in understanding and appreciating a form of art.
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Lewat Djam Malam Kembali Mendunia
Film Lewat Djam Malam (judul bahasa Inggris: After the Curfew) karya Usmar Ismail yang pertama kali diputar di Indonesia pada
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Rekomendasi Sketsa Komedi untuk Akhir Pekan
Pandemi yang disebabkan oleh virus corona ini dampaknya sudah sangat universal, di mana-mana ikut terkena dampaknya baik dari segi ekonomi,
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Mengenal Pride Month lewat Media Film
Seperti halnya terang muncul karena ada gelap dan kebaikan eksis karena ada keburukan, konsep “pride” pun ada karena didahului oleh
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