Film Minggu Ini: 28 Agustus 2020
Terkadang memilih film minggu ini dapat memakan waktu yang lama bahkan sampai keinginan untuk menonton pun dapat pula menghilang. Setiap
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Editorial
On Terrence Malick Badlands: Love and Anti-establishment
In this article, Yus reflects on how Terrence Malick Badlands gives hints of style that will become characteristic of his
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Film Minggu Ini: 21 Agustus 2020
Terkadang memilih film minggu ini dapat memakan waktu yang lama bahkan sampai keinginan untuk menonton pun dapat pula menghilang. Setiap
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Film Minggu Ini: 14 Agustus 2020
Setiap akhir pekan, tim editorial Jakarta Cinema Club memberikan rekomendasi film minggu ini yang dapat ditonton lewat beberapa platform.
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Masaki Kobayashi Harakiri (1962): Moral Conundrum and Ethical Hypocrisy
In this article, Faiz reflects on how Masaki Kobayashi, a lifelong pacifist, visualizes a concept of Bushido in one of
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Meiko Kaji: Manis seperti Dendam
Dalam artikel editorial kali ini, kita akan berkenalan dengan sosok legendaris dari perfilman Jepang, Meiko Kaji. Sepanjang karirnya, Meiko Kaji
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Between Two Jokers and Philosophy: A Realization of the Absurd, Nihilism and Agent of Chaos
In this article, Olav reflects on how representations of Jokers and Philosophy in films could lead us to ideas that
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A Queer Quarantine: Reimagining the New Normal through Queer Cinema
Rizky Rahad reflects on some of the most provocative queer films he revisited during quarantine, reimagining the endless possibilities of a new world.
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Edmund Yeo’s We the Dead: Rohingya and the Fantasy of the Afterlife
A reflection on Edmund Yeo’s We the Dead, exploring Rohingya refugees, life after death, and the film’s haunting realism rooted in contemporary history.
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On Zhang Yimou’s Shadow: A Return to Form
Zhang Yimou Shadow comes with black ink drips from a brush drawing a piece of calligraphy; water bounces up and
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