Film Minggu Ini: 28 Agustus 2020
Terkadang memilih film minggu ini dapat memakan waktu yang lama bahkan sampai keinginan untuk menonton pun dapat pula menghilang. Setiap
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On Terrence Malick Badlands: Love and Anti-establishment
In this article, Yus reflects on how Terrence Malick Badlands gives hints of style that will become characteristic of his
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Film Minggu Ini: 21 Agustus 2020
Terkadang memilih film minggu ini dapat memakan waktu yang lama bahkan sampai keinginan untuk menonton pun dapat pula menghilang. Setiap
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Masaki Kobayashi Harakiri (1962): Moral Conundrum and Ethical Hypocrisy
In this article, Faiz reflects on how Masaki Kobayashi, a lifelong pacifist, visualizes a concept of Bushido in one of
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Album Minggu Ini Vol. 17: Rumah
Album Minggu Ini 17 kali ini cukup spesial karena berisikan respon dari kemunculan mini album dari salah satu tim editorial
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Meiko Kaji: Manis seperti Dendam
Dalam artikel editorial kali ini, kita akan berkenalan dengan sosok legendaris dari perfilman Jepang, Meiko Kaji. Sepanjang karirnya, Meiko Kaji
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Between Two Jokers and Philosophy: A Realization of the Absurd, Nihilism and Agent of Chaos
In this article, Olav reflects on how representations of Jokers and Philosophy in films could lead us to ideas that
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On François Truffaut’s Jules and Jim: A Bizarre Love Triangle
This is a reflection on François Truffaut’s Jules and Jim, a French New Wave drama released back in 1962. Frankly,
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A Queer Quarantine: Reimagining the New Normal through Queer Cinema
Rizky Rahad reflects on some of the most provocative queer films he revisited during quarantine, reimagining the endless possibilities of a new world.
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Edmund Yeo’s We the Dead: Rohingya and the Fantasy of the Afterlife
A reflection on Edmund Yeo’s We the Dead, exploring Rohingya refugees, life after death, and the film’s haunting realism rooted in contemporary history.
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